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    <title>E-rea</title>
    <link>http://erea.revues.org</link>
    <description>E-rea. Revue électronique d’études sur le monde anglophone. Revue du Laboratoire d’études et de recherche sur le monde anglophone. La revue a été créée en 2003. Elle publie des articles consacrés aux études anglophones.</description>        
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  <item rdf:about="http://erea.revues.org/1290">
    <title>À paraître</title>
    <description><![CDATA[
      <p class="texte" dir="ltr"><strong>Numéro 10.2</strong> « Dossier Kay Boyle » sous la direction d’Anne Reynes (AMU) ; « Dossier Rachel Cusk », sous la direction de Nicolas Boileau (AMU), Clare Hanson (University of Southampton, UK) et Maria Tang (Université Rennes 2) (printemps 2013)</p>
      <p class="texte" dir="ltr"><strong>Numéro 11.1</strong> « L’ordre des mots dans l’espace de la phrase », sous la direction de Monique De Mattia-Viviès et Bernard De Giorgi (AMU) (automne 2013)</p>]]></description>
    <link>http://erea.revues.org/1290</link>
    <dc:date>2013-01-30</dc:date>
  </item>
  <item rdf:about="http://erea.revues.org/2738">
    <title>“When the bear won't go hunt”: masculinity in Shakespeare's Twelfth Night</title>
    <description><![CDATA[
      <p class="abstract" dir="ltr">In <em>Twelfth Night</em> by William Shakespeare, the character of Orsino stands for the male polarity, as opposed to Olivia who represents femininity. His interest in music, perfumes and love thoughts, his narcissism and his refusal to “go hunt,” contribute to making up a surprisingly ambiguous male icon. Orsino is even reminiscent of the “popinjay” who appears in 1 <em>Henry IV</em>. In fact Duke Orsino, the “little bear” described as “noble in nature as in name,” suffers from a love melancholy that has affected his male identity. Yet despite these assaults, Orsino remains a male figure in the eyes of the audience. His encounter with a young eunuch – a cross-dressed young woman – will enable him to reassert a masculinity he seemed to have lost sight of. The haunting figures of Narcissus and Echo find a strange echo in the main characters who prove particularly resilient and clearly subservient to the structural requirements of the comedy. <em>Twelfth Night </em>invents new polarities that, like some of the ...</p>]]></description> 
    <dc:creator>Jean-Louis CLARET</dc:creator>
    <link>http://erea.revues.org/2738</link>
    <dc:date>2012-12-20</dc:date>
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  <item rdf:about="http://erea.revues.org/2753">
    <title>The New Christian Right’s relations with Israel and with the American Jews: the mid-1970s onward</title>
    <description><![CDATA[
      <p class="abstract" dir="ltr">The aim of this article is to show that the relationship between the New Christian Right and Jews is complicated and even controversial. Adherents of the New Christian Right are known to be staunch supporters of Israel. Their love for the State of Israel stems from biblical teachings asserting that God blesses those who bless the Jews and curses those who curse the Jews (Genesis, 12:3). Yet the evangelical view of Israel and of Jews is a source of considerable debate within the Jewish community. Many Jews have reservations about teaming up with evangelicals: they suspect their motives and resent their interpretation of Bible prophecies suggesting that Jews will have to accept Christ after his Second Coming. In the meantime, evangelicals target them for evangelism.</p>]]></description> 
    <dc:creator>Mokhtar BEN BARKA</dc:creator>
    <link>http://erea.revues.org/2753</link>
    <dc:date>2012-12-20</dc:date>
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  <item rdf:about="http://erea.revues.org/2770">
    <title>David Bellos, Is That a Fish in your Ear? Translation and the Meaning of Everything</title>
    <description><![CDATA[
      <p class="texte" dir="ltr">Since the time of the Ottoman dragomans, translators have always been suspected of disloyalty. Paradoxically, “[t]he disparagement of translation emanates most powerfully from those very circles where the ability to translate […] is most likely to be found”, i.e., from scholars themselves. This explains why translators have long been in need of a talented and persuasive supporter to defend their case. Today, they have found it. David Bellos may well be their ideal promoter.</p>
      <p class="texte" dir="ltr">Indeed, not only is Bellos the translator of Georges Perec, Romain Gary and Ismail Kadare, he also teaches French and Comparative Literature at Princeton and is the author of several biographies (<em>Georges Perec: A Life in Words</em> published in 1993, <em>Jacques Tati: His Life and Art</em> in 1999, and <em>Romain Gary: A Tall Story</em> in 2010) as well as of a learned essay on translation. <em>Is That a Fish in your Ear?</em> is much more than an entertaining study littered with brilliant asides about how not to get lost in translation. This is...</p>]]></description> 
    <dc:creator>Sophie CHIARI</dc:creator>
    <link>http://erea.revues.org/2770</link>
    <dc:date>2012-12-20</dc:date>
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  <item rdf:about="http://erea.revues.org/2773">
    <title>John Ward, Le mouvement américain pour l'hygiène mentale (1900-1930) ou Comment améliorer la race humaine ?</title>
    <description><![CDATA[
      <p class="texte" dir="ltr">Spécialiste d’histoire sociale, John Ward se propose, dans son dernier ouvrage, d’analyser l’émergence du mouvement américain pour l’hygiène mentale au début du vingtième siècle, ainsi que son influence sur le monde de la psychiatrie. D’emblée, l’auteur resitue fort justement ce courant dans une perspective évolutionniste et pose la question des affinités entre ce mouvement, ayant vocation à améliorer le psychisme de la « race humaine », et le mouvement eugéniste.</p>
      <p class="texte" dir="ltr">Divisé en deux parties, l’ouvrage s’intéresse tout d’abord aux paradigmes scientifiques qui ont sous-tendu l’action du mouvement pour l’hygiène mentale, pour se consacrer ensuite à leur mise en pratique. S’il est très bien documenté et retrace de façon fort intéressante les parcours de pionniers tels que Clifford Beers, William James et Adolf Meyer, on regrettera peut-être que l’auteur ne consacre qu’un chapitre aux théories évolutionnistes ainsi qu’à celle de la dégénérescence. Ces théories, qui forment le cœur même de la ...</p>]]></description> 
    <dc:creator>Sandrine PIORKOWSKI</dc:creator>
    <link>http://erea.revues.org/2773</link>
    <dc:date>2012-12-20</dc:date>
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  <item rdf:about="http://erea.revues.org/2777">
    <title>Liliane Louvel, Poetics of the Iconotext</title>
    <description><![CDATA[
      <p class="texte" dir="ltr">Dans son nouvel ouvrage consacré à l’étude des relations intimes et néanmoins complexes, anciennes mais incessamment renouvelées entre texte et image, Liliane Louvel poursuit l’infini dialogue entre la littérature et les arts visuels — incluant la peinture et la photographie, mais aussi la gravure, la miniature et la cartographie. S’inscrivant dans le prolongement des ouvrages majeurs de l’auteur, <em>L’œil du texte : Texte et image dans la littérature anglophone</em> (1998), <em>Texte/Image : Images à lire, textes à voir</em> (2002), et <em>Le Tiers pictural : Pour une critique intermédiale</em> (2010), <em>Poetics of the Iconotext</em> (2011) offre une approche nouvelle, en langue anglaise, des modes infiniment variés d’insertion d’une image dans un texte littéraire. La démarche théorique et critique de l’auteur s’enrichit de références ciblées à des modèles « archéolittéraires » faisant appel à l’iconotextualité, — comme le bouclier d’Achille ou l’urne keatsienne — et donne lieu à des analyses convaincantes d’œuvre...</p>]]></description> 
    <dc:creator>Céline MANRESA</dc:creator>
    <link>http://erea.revues.org/2777</link>
    <dc:date>2012-12-20</dc:date>
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  <item rdf:about="http://erea.revues.org/2780">
    <title>Emily Taylor Merriman, Adrian Grafe (eds), Intimate Exposure: Essays on the Public-Private Divide in British Poetry Since 1950</title>
    <description><![CDATA[
      <p class="texte" dir="ltr">An arresting title, an intriguing cover design and a collection of engaging articles, some of which contain real contributions to the field: such are my first impressions of this rich deeply-compelling collection of essays devoted to the public-private divide in British poetry since 1950, edited by Emily Taylor Merriman and Adrian Grafe. For the student of poetry, there is much here to interest and excite.</p>
      <p class="texte" dir="ltr">The title, ‘Intimate Exposure’, is a subtle tease; toying with the oxymoron with its clash of register, it strikes the ear as slightly dissonant. Lying behind it – revealing and concealing, appropriately enough – is a cliché, the legal phrase ‘indecent exposure’ with its shades of unseemliness and scandal, such that the title hovers in the precincts of besmirched politicians and public figures hounded by paparazzi. But the word “intimate”, of course, pertains to a sense of the secret and inalienable self, to all the intimations – of immortality or not – of poetry’s yearnings and pr...</p>]]></description> 
    <dc:creator>Sara GREAVES</dc:creator>
    <link>http://erea.revues.org/2780</link>
    <dc:date>2012-12-20</dc:date>
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  <item rdf:about="http://erea.revues.org/2793">
    <title>David Roche (ed.), Conversations with Russell Banks</title>
    <description><![CDATA[
      <p class="texte" dir="ltr">The volume of interviews with Russell Banks, edited by David Roche and published in the Literary Conversations Series by the University Press of Mississippi, allows us to listen to Banks’s warm, generous, serious and funny voice over a period of more than thirty years. In his introduction, David Roche insists on how much Banks likes to talk with his reader, any reader ranging from the most academic interviewer to the eager student or the independent blogger. And indeed, his pleasure is quite perceptible from the very first interview (1976) to the last one in the volume, devoted to his recently published <em>The Reserve</em> (2008): Banks never dodges questions, he willingly develops his answers on any subject, takes time to consider his interviewer’s point of view before agreeing or qualifying whatever opinion or interpretation is suggested, resorts to personal memories and autobiographical elements without indulging in easy self-mythology… The result is a long, fascinating conversation with...</p>]]></description> 
    <dc:creator>Sophie VALLAS</dc:creator>
    <link>http://erea.revues.org/2793</link>
    <dc:date>2012-12-20</dc:date>
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  <item rdf:about="http://erea.revues.org/2797">
    <title>Elizabeth Wright, Virginia Woolf et Virginia Woolf, On Fiction</title>
    <description><![CDATA[
      <p class="texte" dir="ltr">‘My God, how does one write a Biography? Tell me. […] How can one deal with facts — so many and so many and so many?’ This was a question Virginia Woolf was putting to herself and her close friends in the late 30s, as she painstakingly sought to assemble the rich substance of Roger Fry’s life into a cohesive narrative. One can only imagine that contemporary biographers of Virginia Woolf grapple with much the same question. How does one write a life of Woolf, when one is dealing not only with so many facts, but so many fictions, and so much impressive competition? In the past fifteen years alone, novices and Woolf scholars alike have been treated to a stunning array of biographies, including those by Hermione Lee, Jane Dunn, Julia Briggs, Lyndall Gordon and Nigel Nicolson. How can one hope to add usefully to all that has been achieved? One answer lies in finding the right author, and the right publisher’s series, which is exactly what has happened here. Elizabeth Wright is both an ac...</p>]]></description> 
    <dc:creator>Claire PÉGON</dc:creator>
    <link>http://erea.revues.org/2797</link>
    <dc:date>2012-12-20</dc:date>
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  <item rdf:about="http://erea.revues.org/2803">
    <title>Commemorating Colonialism in a Post-Colonial World</title>
    <description><![CDATA[
      <p class="abstract" dir="ltr">Colonialists erected monuments, statues and other edifices to commemorate empire-building. Since the era of decolonisation, the construction of <em>lieux de mémoire</em> has continued, though now with commemoration of anti-colonialist nationalism and independence movements as well. Yet recent efforts show the paradoxes and challenges in trying to monumentalise colonialism and opposition to it. Examples of monuments to King Leopold of the Belgians, Henry Morton Stanley and Pierre Savorgnan de Brazza are used to illustrate post-colonial monument-building and its implication for the history and memory of overseas empires.</p>]]></description> 
    <dc:creator>Robert ALDRICH</dc:creator>
    <link>http://erea.revues.org/2803</link>
    <dc:date>2012-12-20</dc:date>
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