Works by Henry James
PC — The Princess Casamassima (1886). London: Penguin, 1987.
PC II — The Princess Casamassima (1908). Lionel Trilling, ed. New York: Macmillan, 1948.
The Portrait of a Lady. Novels 1881-1886. William T. Stafford, ed. New York: Library of America, 1985.
EL — Essays on Literature, American Writers, English Writers. Ed. Leon Edel. New York: The Library of America, 1984. Vol. 1 of Literary Criticism.
FW — French Writers, Other European Writers, The Prefaces to the New York Edition. Leon Edel, ed. New York: Library of America, 1984. Vol. 2 of Literary Criticism.
N — The Notebooks of Henry James. F.O. Matthiesen and Kenneth B. Murdoch, eds. New York: George Braziller, 1955.
Other works cited
Anderson, Charles R. “James and Zola: the Question of Naturalism”. Revue de littérature comparée 57 (1983): 343-57.
Armstrong, Paul B. “Reading James’s Prefaces and Reading James”. Henry James’s New York Edition: The Construction of Authorship. Ed. David McWhirter. Stanford: Stanford University Press, 1995. 125-137.
Bell, Millicent. Meaning in Henry James. Cambridge: Harvard University Press, 1991.
Bersani, Leo. Baudelaire and Freud. Berkeley: University of California Press, 1977.
Betensky, Carolyn. “Philanthropy, Desire, and the Politics of Friendship in The Princess Casamassima”. The Henry James Review 22 (2001): 147-62.
Blair, Sara. Henry James and the Writing of Race and Nation. Cambridge: Cambridge University Press, 1996.
Briggs, Anthony D. “Someone Else’s Sledge: Further Notes on Turgenev’s Virgin Soil and Henry James’s The Princess Casamassima”. Oxford Slavonic Papers n.s., 5 (1972): 52-60.
Brodhead, Richard H. “Henry James: Tradition and the Work of Writing”. The School of Hawthorne. Oxford: Oxford University Press, 1986. 104-20.
Colmer, John. “Political Action and the Crisis of Conscience”. Coleridge to Catch-22: Images of Society. New York: St. Martin’s, 1987. 91-104.
Davitt Bell, Michael. The Problem of American Realism: Studies in the Cultural History of a Literary Idea. Chicago: University of Chicago Press, 1993.
Delbaere-Garant, Jeanne. “Henry James’s Divergences from his Russian Model in The Princess Casamassima”. Revue des Langues Vivantes 37 (1971): 535-44.
DeVine, Christine. “Revolution and Democracy in the London Times and The Princess Casamassima”. The Henry James Review 23 (2002): 53-71.
Dove, Roland. “The Alienated Hero in Le Rouge et le noir and The Princess Casamassima”. Studies in Comparative Literature. Ed. Waldo F. McNeir. Baton Rouge: Louisiana State University Press, 1960. 130-54.
Dubler, Walter. “The Princess Casamassima: Its Place in the James Canon”. MFS 12 (1966): 44-60.
Flannery, Dennis. Henry James: A Certain Illusion. Aldershot: Ashgate, 2000.
Ford, George H. Dickens and his Readers: Aspects of Novel-Criticism Since 1836. Princeton: Princeton University Press, 1955.
Genette, Gérard. Palimpsestes. Paris: Seuil, 1982.
Glazener, Nancy. Reading for Realism: The History of a U.S. Literary Institution 1850-1910. Durham: Duke University Press, 1997.
Graham, Wendy. Henry James’s Thwarted Love. Stanford: Stanford University Press, 1999.
Grenander, M.E. “Henry James’s Capricciosa: Christina Light in Roderick Hudson and The Princess Casamassima”. PMLA 75 (1960): 309-319.
Grover, Philip. Henry James and the French Novel: A Study in Inspiration. London: Paul Elek Books, 1973.
Hamilton, Eunice C. “Henry James’s The Princess Casamassima and Ivan Turgenev’s Virgin Soil”. The South Atlantic Quarterly 61 (1962): 354-64.
Hayes, Kevin J., ed. Henry James: The Contemporary Reviews. Cambridge: Cambridge University Press, 1996.
Hocks, Richard A. “Henry James”. American Literary Scholarship: An Annual. 1992. Ed. David J. Nordloh. Durham: Duke University Press, 1994. 97-116.
Holton, Dorothy B. “Henry James’s The Princess Casamassima: A Bibliography of Primary and Annotated Criticism”. The Henry James Review 16 (1995): 321-39.
Hutcheon, Linda. “Metafictional Implications for Novelistic Reference”. On Referring in Literature. Eds. Anna Whiteside and Michael Issacharoff. Bloomington: Indiana University Press, 1987. 1-13.
Izzo, Donatella. Portraying the Lady: Technologies of Gender in the Short Stories of Henry James. Lincoln: University of Nebraska Press, 2001.
Johnson, Warren. “Hyacinth Robinson or The Princess Casamassima?”. Texas Studies in Literature and Language 28 (1986): 296-323.
Kaplan, Amy. The Social Construction of American Realism. Chicago: University of Chicago Press, 1988.
Kimmey, John L. “The Bostonians and The Princess Casamassima”. Texas Studies in Literature and Language 9 (1968): 537-46.
——. “The Tragic Muse and Its Forerunners”. American Literature 41 (1970): 518-31.
Kretsch, Robert W. “Political Passion in Balzac and Henry James”. Nineteenth-Century Fiction 14 (1959): 265-70.
Kristeva, Julia. Séméiotikè. Paris: Seuil, 1969.
Langbaum, Robert. “Thoughts for Our Time: Three Novels on Anarchism”. American Scholar 42 (1973): 227-50.
Lee, A. Robert. “Odd Man Out? Henry James, The Canon and The Princess Casamassima”. Tensions and Transitions (1869-1990): The Mediating Imagination. Ed. Michael Irving, Mark Kinkead-Weekes and A. Robert Lee. London: Faber and Faber, 1990. 103-20.
Lerner, Daniel. “The Influence of Turgenev on Henry James”. Slavonic and East European Review 20 (1941): 28-54.
Levine, George. The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley. Chicago: University of Chicago Press, 1981.
Mackenzie, Manfred. Communities of Honor and Love in Henry James. Cambridge: Harvard University Press, 1976.
McMahon, Helen. Criticism of Fiction: A Study of Trends in the Atlantic Monthly 1857-1898 (1952). New York: AMS Press, 1973.
McWhirter, David. “Henry James, (Post)Modernist?”. The Henry James Review 25 (2004): 168-94.
——. “Introduction. ‘The Whole Chain of Relation and Responsibility’: Henry James and the New York Edition”. Henry James’s New York Edition: The Construction of Authorship. Stanford: Stanford University Press, 1995. 1-19.
Meissner, Colin. “The Princess Casamassima: ‘a dirty intellectual fog’”. The Henry James Review 19 (1998): 53-71.
Nies, Frederic and John Kimmey. “David Copperfield and The Princess Casamassima”. The Henry James Review 10 (1989): 179-84.
Perosa, Sergio. Henry James and the Experimental Novel. Charlottesville: University Press of Virginia, 1978.
Powers, Lyall H. “Henry James and Zola’s Roman Experimental”. The University of Toronto Quarterly 30 (1960): 16-30.
——. Henry James and the Naturalist Movement. East Lansing: Michigan State University Press, 1971.
Riffaterre, Michael. “La trace de l’intertexte”. La Pensée 215 (1980): 4-18.
Rowe, John Carlos. “Social Values: The Marxist Critique of Modernism and The Princess Casamassima”. The Theoretical Dimensions of Henry James. Madison: University of Wisconsin Press, 1984. 147-88.
Scanlan, Margaret. “Terrorism and the Realistic Novel: Henry James and The Princess Casamassima”. Texas Studies in Literature and Language 34 (1992): 380-402.
Seed, David. “Hyacinth Robinson and the Politics of The Princess Casamassima”. Études Anglaises 30 (1977): 30-9.
Seltzer, Mark. Henry James and the Art of Power. Ithaca: Cornell University Press, 1984.
Smith, Peter. “The Princess Casamassima: James’s address to the public”. Public and Private Values: Studies in the Nineteenth-Century Novel. Cambridge: Cambridge University Press, 1984. 121-45.
Steele, H. Meili. Realism and the Drama of Reference: Strategies of Representation in Balzac, Flaubert and James. University Park: Pennsylvania State University Press, 1988.
Stoehr, Taylor. “Words and Deeds in The Princess Casamassima”. EHL 37 (1970): 95-135.
Stowe, William W. Balzac, James, and the Realistic Novel. Princeton: Princeton University Press, 1983.
Sypher, Eileen. “Anarchism and Gender: James’s The Princess Casamassima and Conrad’s The Secret Agent”. The Henry James Review 9 (1988): 1-16.
Teahan, Sheila. The Rhetorical Logic of Henry James. Baton Rouge: Louisiana State University Press, 1995.
Tingle, Nicholas. “Realism, Naturalism, and Formalism: James and The Princess Casamassima”. American Literary Realism 21 (1989): 54-66.
Tintner, Adeline R. The Book World of Henry James: Appropriating the Classics. Ann Arbor: UMI, 1987.
——. The Cosmopolitan World of Henry James: An Intertextual Study. Baton Rouge: Louisiana State University Press, 1991.
Tintner, Adeline R. and Leon Edel. The Library of Henry James. Ann Arbor: UMI, 1987.
Turton, Glyn. “The Fiction of James and Turgenev”. Turgenev and the Context of English Literature 1850-1900. London: Routledge, 1992. 58-100.
Veza, Laurette. Henry James: le champ du regard. Paris: la Table Ronde, 1989.
Wagenknecht, Edward. Eve and Henry James: Portraits of Women and Girls in His Fiction. Norman: University of Oklahoma Press, 1978.
Walker, Pierre A. Reading Henry James in French Cultural Contexts. Dekalb: Northern Illinois University Press, 1995.
Walton, James. “A Mechanic’s Tragedy: Reality in The Princess Casamassima”. English Studies Collections 1 (1976): 1-20.